Shane MacGowan announces very first art book ‘The Eternal Buzz and The Crock of Gold’ – Music News

Musician, artist, leader, creator and punk icon Shane MacGowan announces his very first folio art book The Eternal Buzz and The Crock of Gold, published by Rain Street and Infinitum Nihil and scheduled for release in April 2022. The book in Limited Edition opens the door to a treasure trove of sketches, paintings, self-portraits, wild impressionist compositions and playful character studies by Shane, alongside handwritten lyrics, stories, photographs and abstract extracts dating back to Shane’s childhood and traveling through six decades of punk and Irish festivities.

Shane is known for his musical masterpieces Fairytale Of New York, Streams of Whiskey and A Pair of Brown Eyes – The Eternal Buzz and The Crock of Gold provide a visual backdrop to these songs and so many glorious songs from Shane of The Nips, The Pogues and Les Papes. This book is a labor of love by Shane and his loved ones, curated by his wife and collaborator Victoria Mary Clarke, edited by Paul Trainer, with prefaces by Johnny Depp and art critic Waldemar Januszczak. The book is available for preorder through, and those who do before Christmas will receive a handwritten certificate of ownership and Christmas card from Shane.

His very first art book presents a barely explored branch of Shane’s art, at a time of celebration of Shane’s work and life. The acclaimed recent documentary, Julien Temple’s Crock Of Gold (2020) has drawn renewed attention to Shane around the world, reaching fans old and new, with a new biopic produced by Johnny Depp also in the works.

Shane’s love for art has accompanied him throughout his life, a talent he cultivated and studied from an early age. “I’ve always loved to draw and paint, and I used to do all kinds of things, hurlers, IRA men, teenage punk people hanging out in cafes and so on.

He continues: “When I was about 11 or 12 years old, I started studying art history and looking at old paintings and modern paintings, I knew a lot about art. This is one of the only O levels I got, it was in art. I made the cover for The Pope’s album ‘Crock of Gold’ and I designed the cover for Pogues’ debut album, ‘Red Roses For Me’. And I more or less designed the second album ‘If I Should Fall From Grace With God’. As for my materials, I like pastels but I don’t really think about it. I will paint or draw on anything, with anything. I like everyone more or less from Fra Angelico and Giotto to the last, as Caravaggio was the last of the Renaissance, before he launched into Expressionism.

“I love Cézanne, Gauguin, Monet, Manet. I like the Irish impressionists, Lavery, Jack B Yeats, Brendan Fitzpatrick. The 20th century impressionists who painted the period of Ireland struggling for freedom. I love Max Ernst, the surrealists, Dali, Chagall… God, there are millions of them.

Over the next five decades, Shane continued to draw, sketch and write for any occasion anywhere in the world – from the back of a car on the road to a napkin in a cafe. . Every piece of art has been preserved, and it wasn’t until decades later that many works of art were unearthed in an unlikely way.

His wife Victoria Mary Clarke explains, “When we were doing the documentary The Crock of Gold, Julien Temple wanted some of Shane’s drawings, so I asked my mom to take a look and see if she had any. She sent me a trash bag full of drawings and words that I asked her to take care of twenty five years ago, we didn’t even know it existed, it was miraculous, like finding a jug of gold ! His art brings back a lot of very funny and often hideous memories to me from different stages of our lives together, many of his designs have been done on my shopping lists and my own diaries, and on things like sickness bags and notepads- hotel notes, airline sick bags and recording studio sheets, and diaries, so it’s easy to know exactly when they were made.

“I love the way the drawings and the notes and the snippets of stories provide insight into Shane’s songs, it’s like walking into his studio and seeing everything that was going on in his head. The illustrations are like a visual tapestry of the inner workings of his creative process. I feel very privileged and very excited to be able to share them with the world in a book, especially for people who love songs.

As esteemed Sunday Times art critic Waldemar Januszczak puts it in his introduction to the book, “It’s a gateway to the torrent of mercurial, violent, crass, sexy, blasphemous, naked and sometimes tender images that make up the mental and emotional imagery. landscape by Shane MacGowan. It is the saliva, the snot and the tears of art. Splash over the page in a psychic storm of lines, words and colors….

He continues, “When pop stars like Bob Dylan, Ronnie Wood and Lou Reed become artists, they lose touch with the wilderness that inhabits them. They forget that they are rebels and all become respectable with us. They want to be taken seriously. At least most of them do. So … is this also true for Shane MacGowan? Don’t be an eejit! Of course not! Art cannot tame Shane for the same reasons no one has ever tamed a Tasmanian devil. It cannot be done.

Johnny Depp, who collects Shane’s artwork, writes in the book’s preface: “It’s rare that a creative genius like Shane has only one way out. Such incendiary talent is likely to have a plethora of facilities through which his talent could seep into the atmosphere and change the climate as we know it. And so, revealed here, is Shane’s propensity for the savage, for the absurd, for the political, for the beautiful, all channeled and threaded through the needle of his quill. But, this time, not via the language tool. Instead, Shane’s visual acuity will take the lead here. His visions will speak for themselves. Sometimes they will invoke wonder, sometimes they can seem decidedly threatening, but, whatever the medium, his work will always be full of poetry – much like the great man and my great friend himself; artist, Shane MacGowan.

Full details on folio art and how to reserve a book are available here.

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